Studio Bits

Apologies for the silence in the last week or so during which a recalibration of my studio mind seemed in order--post semester craziness. Here are just a couple bits of color, text and shape hanging about/propped up in the studio.

More-than-can-be-seen

On Distant

we are watching each other watch each other

from far away the far off stepping closer / snow and its compression / closer and disappearing /
obstructed by the landscape / running out of the frame / distance and its collapse

relative distance, emotionally distant, spatially distant, the "view" of the countryside, TV snow

feeling unemployed, feeling put upon, feeling inaccurate in communicating the feeling (a distant soundtrack, track of longing, sound of loss, voiceless refrain)

if time collapsed and space was transposed the two would be sitting across from each other, smoking cigarettes, watching each other watch "the other"

voyeurism accounts for this impossibility
spurred by the fugitive (Yusuf, fugitive of his town; Mahmut, fugitive of his past; Nazan, fugitive of both, with nothing remarkable to leave or bear, i.e. childless)

Yusuf's light: source unknown searchlight of inaudible whisperings (read intimate) leading to the squeaking mouse, stuck to its own death
justapoxed with
Mahmet's light: trapped between sleep and the flickering end of a videocassette, a floor lamp falling towards the floor, startled, waking up from a dream

traffic on a bridge, face against twilight, fish flipping in a bucket

the act of capturing and being captured
taking out the trash

near/far

On Nuri Bilge Ceylan's Distant (2002)

Xerox

Premise for a poetics

1) an attempt to dissolve, ecstatically explode, and/or discombobulate antithetical premises

2) an age defined by binary systems, from atomic theory to +/- battery power to computer code

3) centuries of binary tension—east vs. west, black vs. white, mind vs. body, public vs. private, first world vs. third world, red state vs. blue state

3a) via globalization these reductive conflicts experience a kind of spalling
3b) dynamic fragmentation and multiplication
3c) surface failure effect

4) exploration of the dissolution and complication of binary tensions

4a) personal
4b) political
4c) polyphonic
4d) playful
4e) multivalenced
4f) irreverent
4g) romantic

Painting

the thing itself
substrate and paint
no stretchers
if the substance has demonstrable girth then the painting will have demonstrable girth

Repository

as

collage as transformer
collage as redefiner
collage as make-do
collage as gathering

room as installation
room as painting
room blurring distinction between function and aesthetics
idiosyncratic decoration
idiosyncratic definition

what would it be like to live here?